Alejandro Sanz has a performance scheduled for October 10 at 21:00 at Estadio GNP Seguros, in Mexico City. The date is part of his ¿Y Ahora Qué?phase, a project that went from an initial release of six songs to an expanded edition of thirteen titled ¿Y Ahora Qué +?.
The difference between the two names matters when searching for the material. The “+” sign identifies an expansion of the project, not a separate tour or a live recording of the Mexico City concert. The thirteen-track edition came out in November 2025 and makes it possible to identify the collaborations added after the first release.
A change in the way of working
Sony Music describes the album as the result of sessions in Madrid and Miami and a broader collaboration with producers and songwriters from another generation. The names it mentions include Elena Rose, Edgar Barrera, Andy Clay, and Rayito. This is information about the process published by the label, not an independent assessment of the album’s quality.
The credits help identify this network of collaborators, but they do not, by themselves, explain what each song sounds like. For listeners, the test is to compare the compositional choices, vocals, and arrangements throughout the project. A collaboration can change a song’s point of view without transforming the artist’s entire repertoire.
The songs that connect the two releases
“Palmeras en el Jardín” and “Bésame,” with Shakira, are among the songs associated with the first phase. The expanded edition adds titles such as “Mil Motivos,” with Carín León; “La Cita,” with Emilia; and “Rimowa,” with Elena Rose. This expansion offers more material for understanding the project’s direction than listening to a single alone.
These names refer to recording collaborations. The announcement of a Sanz performance does not automatically confirm that all these artists will appear onstage. Nor does a song’s inclusion on the album guarantee that it will be part of the setlist on a particular night.
What to keep in mind for Saturday
The ticket listing shows the event at 21:00. That is the announced start time, which is different from when doors open or how long it takes to enter the assigned area. Operational information should be checked close to the concert, along with any updates from the organizer.
To prepare for listening, a simple approach is to first identify the six initial songs and then the additions to the expanded version. This makes it possible to follow the project’s development without confusing it with a series of disconnected releases. The concert will offer another perspective: how this phase fits into a catalog familiar to audiences from many different periods.
